Tag: luxury

  • Omega Speedmaster Pilot 2024: Price, Specs, Availability

    Omega Speedmaster Pilot 2024: Price, Specs, Availability

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    Specifically, the 3 o’clock register, which incorporates both a 30-minute and a 12-hour scale for measuring elapsed time, is designed to look like the “burn rate” display for a fighter jet, while its opposite number at 9 features an artificial horizon in blue (rather than the pilot-only original’s gray) and a target crosshair; this register displays the running seconds.

    The chronograph seconds hand, as is customary, is centrally mounted, and on this watch bears a varnished orange airplane shape at its tip. Each subdial features triangular hands, a nod to previous cult classic Omega models, in particular the Flightmaster, a 44mm chronograph introduced in 1969 and marketed as a dedicated pilot’s watch.

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    Photograph: OMEGA

    The hour and minute hands, as well as the hour markers, deviate from standard Speedmaster fare. The hands are PVD-coated in matte black, and are finished in large blocks of Super-LumiNova for maximum legibility at night, to match the 3D lume of the hour markers. The lume appears white by day, and has a green “emission”—the watch geek term for its colorful glow.

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  • Daniel Craig’s Secret Omega Seamaster Diver Has Dropped

    Daniel Craig’s Secret Omega Seamaster Diver Has Dropped

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    Waterproof to 300 meters, Omega’s co-axial master chronometer caliber 8806 offers up 55 hours of power reserve (how long it keeps ticking after you stop wearing it), and can be seen through the sapphire crystal on the caseback.

    The new divers should give Swatch Group a much-needed boost as declines in China sales have seen profits fall dramatically. These pieces are not only well executed, looking as if they have been in the Omega lineup for years already, they are aggressively priced at $6,500 for the mesh bracelet version, and dropping to $5,900 for the rubber strap model (£6,100 and £5,600 in the UK).

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    WIRED’s pick of the new designs would be the black-on-mesh bracelet.

    Photograph: OMEGA

    After the phenomenal success of the MoonSwatch, which you can now buy online, these new Seamaster Diver 300Ms look set to be the perfect entry point for those looking to upgrade to Omega. Yes, they are not the cheapest in the Seamaster line, but at only $300 more than Omega’s entry-level diver, they seem like a clear choice. WIRED’s pick would be the black-on-mesh bracelet, and we suspect many will feel the same.

    Omega is making a habit of leaking coming watches via Daniel Craig. Die-hard Omega fans spotted a then-unreleased white dial version of the Speedmaster on Craig’s wrist at a New York exhibition in November 2023. The 42mm, $8,100 (£7,600) hand-wound watch finally joined the core collection of Speedmaster Professional references in March earlier this year, making it the first time Omega had offered a white dial option outside of now-discontinued limited editions.

    Then, just a few days ago, Craig revealed yet another upcoming model at Sunday’s Governors Awards in LA. He was spotted wearing an unreleased Omega Seamaster with a burgundy bezel, black dial, and mega-stylish Milanese bracelet.

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  • Tanner Leatherstein’s Viral Mission to Save You From Bad Luxury Bags

    Tanner Leatherstein’s Viral Mission to Save You From Bad Luxury Bags

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    So far, he hasn’t heard directly from any major brands, positively or negatively. “Early on, 11 of my videos were flagged by the LVMH Group for allegedly promoting counterfeit products, which wasn’t the case,” he says. His account was briefly suspended, but after posting a video explaining the misunderstanding, Instagram reinstated it. He does, however, receive plenty of positive feedback from smaller brands, who thank him for recognizing their craftsmanship and for challenging the luxury sector’s influence over consumers.

    Beyond just recommendations, Yilmaz has also become an educator, teaching his followers how to recognize quality leather goods. “Look for natural, unaltered leather,” he says, advising buyers to watch for unique grain patterns, solid stitching, and durable hardware. He also warns against vague labels: “If it just says ‘genuine leather,’ that’s usually a sign the brand has little to boast about in terms of material quality.”

    Given his background, it’s not surprising that Yilmaz is passionate about the subject. Raised in a family of leather workers in Turkey, he learned the trade from a young age, even crafting his first leather jacket at age 11. His brand, Pegai, which began on Etsy eight years ago, reflects his commitment to quality, featuring high-end leather and hardware sourced from Spanish artisans—what he calls “accessible luxury.”

    While Yilmaz’s rise to fame might appear advantageous for Pegai, he rarely uses his channel to promote his own brand. “I seldom mention my brand in reviews, so some viewers don’t realize I have one,” he says. “Occasionally, if I’m sharing an update or related story, I’ll mention Pegai, which boosts direct sales. But otherwise, trust builds over time as viewers appreciate my content and eventually seek out my brand.”

    He has poured countless hours and resources into building his reputation, even once hiring an investigator in Singapore to verify a brand’s claim that its bags were locally produced. “That’s how far I’m willing to go to get to the truth,” he says.

    His passion for leather extends beyond end products to the ethics and sustainability of the industry itself. While leather has come under scrutiny for its environmental impact, Yilmaz sees it as a valuable byproduct of the meat industry, preventing hides from becoming waste. He argues that genuine leather’s durability makes it a better choice than plastics, which are often marketed as “vegan leather.”

    “There’s nothing vegan or leather about that plastic labeling,” he says, criticizing the trend as misleading. Still, he acknowledges the efforts of some brands to create true vegan alternatives from natural fibers such as mushroom or cactus, though he believes they have yet to meet the durability and quality of real leather.

    Through his content, Yilmaz is helping shape a new wave of informed consumers who are less interested in status symbols and more focused on the values behind their purchases. With his genuine curiosity and willingness to spend his own money on the research, Yilmaz has managed to disrupt an industry that once felt untouchable.

    And though he may have started by simply asking why a Louis Vuitton bag costs so much, his journey has led him to question the entire luxury ecosystem. In a world obsessed with brand names, his message, preaching to millions of Gen Zers via vertical video, is refreshingly clear and (whisper it) decidedly old-school: True luxury isn’t about the logo—it’s about the artistry, materials, and values behind the brand.

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  • The ‘Rolex on the Wall’ That Kissinger, Reagan and Sinatra Loved, but You’ve Never Heard Of

    The ‘Rolex on the Wall’ That Kissinger, Reagan and Sinatra Loved, but You’ve Never Heard Of

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    For decades, it was the only way to visualize global time and daylight before the internet. Despite the company changing hands and moving from California to Oregon, then to Colorado Springs, Colorado, the Geochron has remained a niche product with a passionate fan base. Only a handful of skilled technicians can craft these complex timepieces, and its limited production has kept it an exclusive item rather than a mass-market success.

    Today, Bolan’s passion for the Geochron still shines: He has expanded to digital offerings in the hope of ensuring this anachronistic timepiece stays relevant in a world driven by data and convenience. During the pandemic, Bolan took the show on the road, riding his BMW RT motorcycle around the lower 48 to visit a Geochron owner in every state. That trek let him put faces to purchase orders, giving Bolan better insight into clock’s small but fervent fanbase.

    Though the timing didn’t align, one of the potential visits was with the owner of Long Island Watch, Marc Frankel, whose Geochron will look familiar to anyone who views his YouTube videos. Frankel, who trained as an aerospace engineer, is quick to point out not just that he has a Geochron but also the intricacies of a device that accurately captures the sun’s analemma, its figure-eight path in the sky.

    Frankel first encountered the clock in a Sharper Image catalog, which was very much in line with the clientele Geochron had targeted for decades. “Then I saw it in Hunt for Red October, and I was like, ‘Oh my God!’—and I know Reagan had one as well,” Frankel says. “I love the map of the sunlight curve and how, over time, through the orbit of the planet, the sun hits it. It just changes, and that’s amazing to me. I looked into getting something that could mimic it, but a screensaver for 99 cents wasn’t mechanical enough for me. So, I ponied up the few grand, and it’s been with me ever since.”

    Frankel draws parallels between the Geochron and an automatic watch: While a 99-cent screensaver, or an Apple Watch, can show you all the same information and so much more, the mechanical nature of a Geochron and a self-winding watch tickles some nerdy fiber. To Frankel, that mechanical nervous system keeps the Geochron relevant.

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  • Coperni’s Spray-On Dress Was a Viral Smash. This Gravity-Defying Gel Bag Might Top It

    Coperni’s Spray-On Dress Was a Viral Smash. This Gravity-Defying Gel Bag Might Top It

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    Coperni has yet to decide how many RLP Swipe Bags will be put into production, but for Meyer, starting a conversation around these innovations is more important than immediate commercial success. “It’s about subtly enhancing our lives in ways that feel natural. In ways that aren’t necessarily obvious, but impactful,” he says. “Above all, I want to use the show to platform scientists and technologies that could make the industry better.”

    This isn’t Coperni’s first foray into viral, tech-driven fashion innovations. The brand first gained international recognition for its internet-breaking “spray-on dress,” which captivated audiences at Paris Fashion Week in 2022.

    Made from a liquid fabric called Fabrican, it was sprayed directly onto supermodel Bella Hadid’s body, solidifying upon contact to form a wearable garment. The dress generated more than $22 million in earned media value, but many overlooked the deeper message behind its creation. Beyond its visual spectacle, the spray-on dress was a sustainable innovation—machine washable, re-liquefiable, and reusable.

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    Coperni’s was the first-ever fashion show held at Disneyland Paris.

    Photograph: Justin Shin/Getty Images

    “We see it as our mission to push the boundaries of what’s possible in fashion,” says Meyer. “A designer’s duty is to improve and find new solutions, not just for aesthetics, but for practicality and sustainability.”

    Their iconic Swipe Bag (inspired by the ‘swipe to unlock’ icon of an iPhone) has become a platform for scientific experimentation. The founders consistently push new frontiers in sustainability and wearability each season. Previous collaborations include a project with professor Ioannis Michaloudis from the American University of Cyprus, to create a bag made from aerogel—a barely-there material that is 99 percent air, can withstand temperatures up to 1,300°C (2,372°F), and was previously used in space by Nasa to catch interstellar dust.

    Sci-Fi Fashion

    At the core of these innovations is Meyer’s love for science fiction. As a self-proclaimed “geek,” he draws inspiration from sci-fi’s imaginative worlds, which often serve as blueprints for future technology. Last season’s Coperni collection was an ode to the genre, featuring references to iconic sci-fi films such as Star Wars, Dune, and The Matrix.

    But, for the brand, fashion isn’t just about creating visually stunning pieces, it’s about building worlds that help the audience visualize the future, making it one step realer in the process. “It’s beautiful how sometimes you can do something that is unfamiliar or unknown, but when there is emotion, people react well to new ideas,” says Vaillant.

    In an era where AI advances regularly outpace public understanding, brands such as Coperni and visionaries like Walt Disney are a reminder that the real magic happens when imagination and innovation are combined, and then technology brings those dreams to life.

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  • This Is How Johnnie Walker Made the World’s Lightest Whisky Bottle

    This Is How Johnnie Walker Made the World’s Lightest Whisky Bottle

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    Tradition dictates that to properly enjoy a premium whisky you pour it from an elaborately chunky crystal decanter into an unfeasibly heavy tumbler.

    Weight has long been an outward signifier of quality in the whisky industry, and the luxury industry in general, but this week, Johnnie Walker launched the world’s lightest glass whisky bottle, suggesting that the future might be more about cutting emissions that cut glass.

    At 180 grams (6.35 ounces), the teardrop shaped 70-centiliter glass bottle is considerably lighter than the 850 grams of the current Johnnie Walker Blue Label bottle (without the liquid and the stopper), coming in at one-fifth of the conventional weight. It contains a limited-edition Johnnie Walker Blue Label Ultra whisky. The design has been five years in the making, and it breaks with the brand’s traditional square bottle for the first time.

    Designed with the help of Turkish glassmakers Şişecam—a company in the top five of glass producers globally—the new lightweight bottle has the potential to impact both transport and production emissions. Parent company Diageo suggests that for every gram of glass reduced, around half a gram of carbon is saved in production. This doesn’t sound all that impressive, but given Johnnie Walker sells an estimated 130 million bottles annually, the carbon savings could, if upscaled, be considerable.

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    As it cannot stand upright on its own, the record-breaking teardrop bottle is housed in a bamboo cage.

    For now, however, only 888 bottles of the record-breaking Johnnie Walker Blue Label Ultra whisky will be released, costing $1,250 each—which, as eco-statements go, feels a little tokenistic. Limited-edition spirit releases are commonplace in the premium sector, but for this innovation to make a meaningful impact it will need to be implemented across more Diageo brands.

    At present, the lightweight bottles cannot be scaled up, but Jeremy Lindley, global design director at Diageo, tells WIRED that the company is already applying the newfound light-weighting knowledge to other bottles. “We have brought down the weight of the Johnnie Walker 18-year-old by 35 percent, and we’re working on reducing the weight of our standard Johnnie Walker Blue Label bottle by over 25 percent,” Lindley says.

    In the development process for the Johnnie Walker Blue Label Ultra, Diageo was granted four UK patents, and, in a laudable move, the license has been made available on a royalty-free basis to help encourage other drinks brands to innovate.

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  • A Diamond-Making Machine Will Cost You $200,000 on Alibaba

    A Diamond-Making Machine Will Cost You $200,000 on Alibaba

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    In an age when you can get just about anything online, it’s probably no surprise that you can buy a diamond-making machine for $200,000 on Chinese ecommerce site Alibaba. If you, like me, haven’t been paying attention to the diamond industry, it turns out that the availability of these machines reflects an ongoing trend toward democratizing diamond production—a process that began decades ago and continues to evolve.

    The history of lab-grown diamonds dates back at least half a century. According to Harvard graduate student Javid Lakha, writing in a comprehensive piece on lab-grown diamonds published in Works in Progress last month, the first successful synthesis of diamonds in a laboratory setting occurred in the 1950s. Lakha recounts how Howard Tracy Hall, a chemist at General Electric, created the first lab-grown diamonds using a high-pressure, high-temperature (HPHT) process that mimicked the conditions under which diamonds form in nature.

    Since then, diamond-making technology has advanced significantly. Today, there are two primary methods for creating lab-grown diamonds: the HPHT process and chemical vapor deposition (CVD). Both types of machines are now listed on Alibaba, with prices starting at around $200,000, as pointed out by engineer John Nagle (who goes by “Animats” on Hacker News). A CVD machine we found is more pricey, at around $450,000.

    Not a Simple Operation

    While the idea of purchasing a diamond-making machine on Alibaba might be intriguing, it’s important to note that operating one isn’t as simple as plugging it in and watching diamonds form. According to Lakha’s article, these machines require significant expertise and additional resources to operate effectively.

    For an HPHT press, you’d need a reliable source of high-quality graphite, metal catalysts like iron or cobalt, and precise temperature and pressure control systems. CVD machines require a steady supply of methane and hydrogen gases, as well as the ability to generate and control microwaves or hot filaments. Both methods need diamond seed crystals to start the growth process.

    Moreover, you’d need specialized knowledge to manage the growth parameters, handle potentially hazardous materials and high-pressure equipment safely, and process the resulting raw diamonds into usable gems or industrial components. The machines also use considerable amounts of energy and require regular maintenance. Those factors may make the process subject to some regulations that are far beyond the scope of this piece.

    In short, while these machines are more accessible than ever, turning one into a productive diamond-making operation would still require significant investment in equipment, materials, expertise, and safety measures. But hey, a guy can dream, right?

    The Great Diamond Glut

    Sometimes a Hacker News comment is worth more than its weight in gold (or diamonds), and John Nagle, who developed Nagle’s algorithm for improving the efficiency of TCP/IP networks in the 1980s, posted one in response to Lakha’s article. It contains factoids about diamonds, with sources, that are worth relaying for anyone curious about the current state of diamond production.

    One notable development comes from De Beers, the diamond corporation known for its dominance in the natural diamond market. Through its R&D operation Element Six, the company is now capable of producing synthetic diamonds with flaw levels in the parts-per-billion range. This level of purity far exceeds what’s necessary for jewelry, entering the realm of high-tech applications. Element Six has even managed to create diamond windows for lasers up to 10 centimeters across, showcasing the potential for large, extremely pure synthetic diamonds.

    On the natural diamond front, there’s been a surprising breakthrough. Nagle points out that the industry has developed an industrial x-ray system to examine rocks before crushing, helping to preserve large diamonds that might otherwise be broken during extraction. This technology has led to some impressive finds, including a 2,492-carat diamond discovered last month. The sorter for this job comes from TOMRA, a company known for high-volume sorting systems used in recycling and food processing.

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  • The More This Rolex Costs, the More You Want It. Here’s Why

    The More This Rolex Costs, the More You Want It. Here’s Why

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    To start with, it’s all about understanding the trade-off between work and free time, explains University College London professor of economics Wendy Carlin. “You work to get income that you can spend on goods and services. As you become better off, we would expect people to both want more free time and more goods; the question is what the balance is between one or the other.”

    Different societies make different choices; Carlin touches on the classic contrast between European and American work-life balance. “People say ‘Oh, the Europeans are just very lazy, and they take all these holidays.’ But they’re making a different choice in terms of the way they take advantage of their higher living standards, because the thing that’s really scarce is time.” Veblen’s theories come in when you look at why people work more in different countries, she explains.

    “Some of those people are working two jobs just to survive,” Carlin says, “but some of them are working two jobs because they want to have the latest thing, the new phone, or the new car, or whatever.”

    It might sound obvious to us, but it defies traditional economic theory, which, in a nutshell, says we should be happy once our basic needs are met—and it would have seemed like madness to the academics of a hundred years ago.

    “It was thought that by now we would be working just two days a week,” says Carlin, in reference to John Maynard Keynes’ 1930 paper Economic Possibilities for Our Grandchildren, in which the economist predicted that improvements in technology and manufacturing efficiency would leave people needing only to work 15 hours a week. “Instead, people work two, three jobs, take two weeks’ holiday and have more goods. And why do they do that? Well, as Veblen said, because they’re comparing themselves with other people.”

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    The cost of a Chanel Classic Flap bag has tripled since 2010.

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    Brunello Cucinelli cashmere is also a powerful social status symbol.

    As the Rich Get Richer …

    We might not recognize the analysis of our working habits, believing that we all have more noble motivations at heart, but who among us can deny that we also aspire to a new Porsche, a Chanel bag, or a week in the Hamptons? Veblen’s work stated that people at every level of society would work to attain the symbols they perceiv as belonging to a superior class; it turns out that the more extreme that disparity—the more unevenly wealth is distributed in a society—the harder people will strive. “More inequality intensifies the Veblen effect,” Carlin says.

    Research that compared the income share of the top 1 percent of earners with the average number of hours worked bore out this idea. “The Nordic countries were very unequal a century ago,” says Carlin. “Then inequality fell dramatically, and at the same time, hours of work fell. People were less interested in comparing themselves with ultrarich people, and so they decided to take more leisure time.”

    If it’s not immediately clear how that impacts our lives—and our spending—today, consider that income inequality in the US has worsened dramatically in the past four decades, according to a 2020 report from the Pew Research Center, which remarked that “the wealth gap between America’s richest and poorer families more than doubled from 1989 to 2016” and noted that America’s Gini index (a measure of income inequality) was higher than any other G7 nation. No surprise then that projections for luxury goods sales in the US are rosy.

    Insta Effect

    There is another element that’s essential to understanding the increasing hold Veblen goods have over us: their visibility. Because Veblen’s theories rely on the perception of others, for anything to be considered a traditional Veblen good, its price—or exclusivity—must be easily understood by others.

    This simple fact underpins big-logo luxury products such as a Louis Vuitton monogrammed holdall, the oversize grille of a Rolls-Royce, or the instant recognition of iconic watch designs like the Audemars Piguet Royal Oak.

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  • Gantri Now Lets You Customize Your Lamp’s Colors—and Everything Else

    Gantri Now Lets You Customize Your Lamp’s Colors—and Everything Else

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    “Because of additive manufacturing, 3D printing, I think we’re heading toward sort of a generation of makers again and sort of a mass maker society,” Antoniuk says.

    Still, large-scale customization platforms like Gantri’s aren’t likely to completely upend the market for upscale goods.

    “Luxury industries are always going to exist,” Antoniuk says. “It’s the most stable industry in the world. It never dies. It’s recession- and depression-proof just because of, you know, the wealthy.”

    There’s an even bigger picture, though. As nifty as the lamps are, they aren’t really the primary ambition behind Gantri You. The program is also a proof of concept for Yang’s vision of a manufacturing process that enables physical factory production run like software. Yang says this newfangled system has been the goal of the company pretty much all along.

    “I think it’s time for Gantri to share our true vision,” Yang says. “It’s not just about making products. This has been the vision from day one.”

    The ultimate goal, Yang says, is to treat physical factory production the same way you’d run a software system. Tweak the code, and you can change the dimensions, composition, or visual aspects of each individual part. Turns out, Gantri is an enterprise manufacturing software company making ends meet as a lamp distributor.

    Right now Gantri’s production process is still dependent on the same bioplastics it’s been using for years, but Yang says the company is working to incorporate new materials into its additive process. That means it may be possible to go from lamps to tables, couches, and even beyond furniture. Gantri has partnered with other furniture companies, and with lots of finagling, and now an allowance for user input that can tweak all sorts of options, Yang hopes his company’s new manufacturing system can be applied to all sorts of industries.

    Antoniuk says that kind of flexibility in both design and customization bodes well for how people think about the stuff they consume. For much of human history, Antoniuk points out, creators were the blacksmiths. People existed in tight-knit communities where they could see how their products were made and were very aware of what went into their consumption—the materials, the handiwork, and the waste. In an era of mass-produced products, people are removed from that process and don’t have any emotional attachment to what it takes to make something. Giving them a hand in that could help remind people of the process.

    “People just kind of got removed from thinking, like, I’m actually responsible for this,” Antoniuk says. “There’s a chance that maybe it can all come back a little bit closer to us. It’s a deeply important part of our future, I think, and what it could lead into.”

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  • Chanel’s New Celeb-Endorsed Audio Jewelry Is Powered by Master & Dynamic

    Chanel’s New Celeb-Endorsed Audio Jewelry Is Powered by Master & Dynamic

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    No doubt picking up on the trend of wired 1990s-style earbuds—must-haves for those craving nostalgia tech from an era they may not have been around for—Chanel has dropped a “jewelry watch,” where the bracelet transforms into a necklace that hides a physical connection for earphones.

    The Première Sound Watch is a riff on the brand’s Première watch, created in 1987, but with a long sautoir necklace with detachable earphones and a quaint 3.5-mm jack—but, fear not, the set also comes with 3.5 mm to Lightning and 3.5 mm to USB-C adapters, for those who prefer more up-to-date tech in their phones.

    The whole “luxury meets Lana Del Rey” creation (available September 2) started two years ago as a sketch by Chanel watchmaking studio director Arnaud Chastaingt, who was fooling around with the concept of shoehorning audio kit into products worn as accessories. While the watch and necklace elements could be taken care of in-house by Chastaingt and his team, Chanel wisely turned to Master & Dynamic—a brand with form when it comes to collaborating with luxury marques, including Louis Vuitton and Celine—for the audio expertise.

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    Chanel’s Première Sound Watch features removable wired earbuds made by Master & Dynamic.

    Photograph: CHANEL

    Speaking of which, the headphones feature a 6-mm planar diaphragm and 11-mm beryllium-coated dynamic drivers with a frequency response of 20 Hz to 20 KHz, so not too shabby. The wire itself houses a remote for volume control, play/pause, answer/hang up, and skip forward and skip back, as well as a microphone for taking calls.

    Water resistance for the wired buds, however, is just IPX3—so merely splash proof. The 18K yellow-gold-coated quartz watch on the Première (with an octagonal case inspired by the stopper of the No. 5 perfume bottle) fares much better, with a water resistance of 30 meters, should you be foolish enough to go diving with a piece of wearable audio jewelry that costs £12,600 in the UK or $14,700 in the US.

    If only Apple had known, when it removed the 3.5-mm headphone jack from the iPhone in 2017, that it was going to start a future backlash where wireless earbuds like the ubiquitous AirPods would be considered so lame, entire Instagram channels would be devoted to young, hip people signaling their youth and hipness by wearing wired earbuds, simultaneously looking cool while shunning convention, better technology, common sense, and general convenience.

    You see, you have to suffer for your Y2K nostalgia. After all, how else can you remember what it was like to rock a Walkman or first-gen iPod when you weren’t there in the first place? Well, at least now, Chanel and Master & Dynamic have stepped into the fray, offering a chic option for those growing weary of their impossible cleverness of juxtaposing stylish clothes while rocking cheapo headphones.



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