Tag: mechanical keyboards

This is a fantastic direction for peripherals. Gaming keyboards have long been incredibly homogenized with angular, all-black cases and unavoidable bright shine-through RGB. I often found myself buying keyboards with sub-par performance purely because I wanted something good-looking on my desk. That’s why I love the K2 HE’s design so much. It indicates a shift in gaming peripherals, especially performance-oriented ones, to more diverse and stylish designs.

I generally think it’s important for products to look good, not just function as advertised. So much of what we own today can be treated as temporary and can feel easy to throw away without a second thought. A thoughtfully designed product, whether it’s a keyboard, a computer case, a pen, or a lamp, can compel you to keep it for longer, even care about maintaining it. Best of all, you feel better using it. This has been possible for years with high-end, $500+ mechanical keyboards, but I’m glad to see it become more democratized and accessible.

Software Customization

The Hall effect switches work incredibly well and are deeply customizable using Keychron’s browser-based Launcher software. Just like on the Q1 HE, each key’s inputs and actuation distance can be independently customized, and they can even be programmed to have multiple inputs at different distances.

The rapid trigger feature, which I feel is one of the biggest draws of Hall effect switches, works perfectly. This setting allows for faster key inputs by actively changing the actuation point of the switch. A traditional mechanical keyboard switch has one predetermined point where it registers a keypress, and to register a second keypress, the switch needs to be released, return to above that point, and then be pressed down past it again. With rapid trigger enabled, a Hall effect switch only has to move back up a slight amount, then it can be pressed down again to register another keypress. This allows for much faster reactions when gaming and some serious typists even report that they can write faster with the setting enabled.

Photograph: Henri Robbins

Like every other Keychron keyboard, I am a bit frustrated that it needs to be plugged in to edit the layout using Launcher, but that’s a necessary sacrifice when building a keyboard on well-documented open source software like QMK.

The RGB is easy to adjust and has countless settings ranging from static colors and RGB color shifts to a “heat map” setting that gradually changes the color of a key based on how often it is pressed. The wireless connectivity works flawlessly, but I found that pressing a key wouldn’t automatically reconnect the keyboard after it sat idle for a while. Instead, I had to use the slider on the side to switch from wired back to wireless mode.

I don’t have any genuine issues with the K2 HE. For the price, it’s a bargain. It looks fantastic, has a clean and deep typing sound, feels great to type on, and comes with some of the best Hall effect switches available today. For $140, there isn’t another keyboard that’s anywhere near as solid as this one.

It’s not often that something as well-known as the Happy Hacking Keyboard gets reworked from the ground up. And when it does happen, those changes usually draw criticism from long-time fans. Look at Porsche’s switch from air-cooled to water-cooled engines in the 911, or Microsoft’s transition to a more tablet-like interface for Windows 8. If people are used to something, they won’t appreciate seeing it change drastically, regardless of whether these changes are ultimately good or bad.

The latest iteration of the Happy Hacking Keyboard (HHKB) makes large changes to the model’s nearly 30-year-old legacy, and it can easily be seen in the same light. Besides the layout, almost every aspect of this keyboard has been altered. Thankfully, quite a few of these changes do feel like improvements over previous iterations.

The HHKB Studio is a hot-swappable 60% mechanical keyboard with Bluetooth connectivity, integrated touchpads, a built-in trackpoint, and a unique programmer-oriented layout. The Studio has a PBT plastic case and keycaps, multi-device connectivity, and keymap customization through the company’s proprietary Keymap Tool software. But before we dive into this new iteration, we need to take a look at the legacy.

Decades-Old Legacy

The Happy Hacking Keyboard has been around for decades. It was designed around the idea of a singular, specialized, long-lasting keyboard that could be used across multiple computers and operating systems (back when such an idea was novel and new). It has been regularly upgraded since to further refine its unique layout and multi-device utility.

The first model of HHKB pioneered its unique layout, cutting keys from the bottom corners, moving the backspace/delete key and adding a second key in the top right, and trading the Caps Lock key for a Control key, which was easily accessible to the pinky. In following iterations, the keyboard moved from a traditional rubber-dome layout to Topre electro-capacitive switches, added USB pass-through, and eventually introduced Bluetooth connectivity. However, across every generation, the unique layout has remained a constant. While the latest model has stayed true to the layout, almost every other aspect of the keyboard has been modified.

Photograph: Henri Robbins

One of the most defining factors of the HHKB was the Topre electro-capacitive switch: A soft tactile switch with a rounded bump created by a rubber dome on top of a conical metal spring. The HHKB was one of the only keyboards available with these switches, which was both a blessing and a burden. They were uniquely enjoyable to type on, but at the same time, Topre switches’ rarity and unique construction made modifications to the switches or keycaps far more difficult. Instead of being able to remove and replace individual switches, any modification would involve taking apart the entire keyboard.

Now, the HHKB Studio has adopted the MX-style switch that has become almost ubiquitous in modern mechanical keyboards, bringing it closer to the world of modular keyboard designs. But instead of sticking with an existing mechanical switch, the company has designed its own MX-style switch in collaboration with Kailh, a well-known aftermarket switch manufacturer.

Other noteworthy changes include the new trackpoint in the center of the keyboard, low-profile mouse buttons underneath the spacebar, and touch-sensitive “gesture pads” on the front and sides of the keyboard. The HHKB Studio also maintains the wireless functionality of the previous generation and preserves the extensive use of PBT plastic in the case and keycaps. The Bluetooth functionality is enhanced by an LED bar in the top-left of the keyboard, and the quick-adjustment dip switches on the back are now hidden behind a battery cover.

Typing Feel

The HHKB Studio’s switch from Topre to MX-style switches is a controversial change: One could argue it “sold out” by moving to MX-style switches. However, that would be ignoring an important detail. These switches are fantastic to type on. They blend the unique sound and feel of Topre tactile switches with the smoothness of a modern linear switch, creating a silenced linear that produces a soft, deep, and satisfying bottom-out. I’ve never felt another switch like it. And, for fans of Topre switches, I do think this is the best linear equivalent possible.

Taking apart the switches, they appear to be made from a similar construction as Kailh’s clicky switches. Specifically, the design is reminiscent of Box Navy and Box Jade switches. The only major difference is that the actual clicking mechanism (a small spring called a “click bar” that adds a tactile bump and produces a sound when pressed) has been removed, and a sound-dampening pad has been added to the bottom of the switch housing.

What impressed me, though, is the Base 65’s RGB lighting—between the clear case, white silicone dampening, transparent switches and keycaps, and the reflective aluminum plate, the RGB absolutely shines, making this keyboard a bright centerpiece on any desk. Sadly, programming the RGB is a bit of a chore, and most of the factory presets have incredibly limited customization.

Paying for Looks

The saving grace is HiGround’s pop culture collaborations. You can get a keyboard made in collaboration with Minecraft, and previously there have been tie-ins with game and anime series, including Naruto, Pokémon, Attack on Titan, Gundam, and Yu-Gi-Oh. However, this usually comes with a tradeoff: Would you rather have a high-quality keyboard or one designed after your favorite media franchise? This keyboard is flashy, colorful, and a statement piece. But besides visuals, the Base 65 keyboard doesn’t do anything new, or anything that justifies the price.

Photograph: Henri Robbins

I also want to note the “all sales are final” line in most of the company’s product descriptions. Combine this with massive brand tie-ins and an emphasis on “limited” drops, and I’m reminded of the collab-based hypebeast sneaker culture of the 2010s; a marketing strategy that emphasizes exclusivity and makes people jump at “rare” (i.e., artificially scarce) products and assume they’re more valuable/higher-quality than they are. I know this is a lot of advertising rhetoric that sits outside the quality of the end product, but I think it’s important to consider why the keyboards are the way they are, and why they sell well despite some of the issues they may have. (As a side note, multiple keyboard collaborations from HiGround are currently being scalped on StockX.)

I also found some frustration when trying to review this keyboard because, when HiGround had a release coming up, every single page on its website would redirect to a password-protected countdown. This meant that the keyboard’s documentation, drivers, and even basic product information were unavailable for the entire time while waiting on a limited release (in this case, the Minecraft keyboard collection).

Ultimately, it’s hard for me to recommend HiGround’s keyboards unless you really want a branded keyboard for a certain media franchise and are OK with the sacrifices to the build quality and typing experience.

The Cherry MX switch is, arguably, one of the most important mechanical keyboard switches of all time. Some might argue it’s one of the best mechanical switches ever. No other switch has quite the same legacy. It’s been around for decades and is one of the few switches that run the whole gamut of keyboards. You can find it in everything from point-of-sale systems, office cubicles, and police cars to gaming setups and even premium, limited-run custom keyboards.

Until recently, nearly every mechanical gaming keyboard shipped with MX Reds, Browns, or Blues. For a long time, Cherry’s switches were the best option—mechanical switch or otherwise—for building a keyboard, and they had a reputation for their outstanding typing feel and longevity when compared to their rubber dome and scissor-switch contemporaries.

I have a love for the original Cherry MX switches. They still have a personality and charm no other switch has been able to replicate. I type on them regularly, almost every day, and always find them a treat to use, despite their shortcomings. So it came as a surprise when Cherry announced a successor with the MX2A. How could one of the most beloved and long-lasting mechanical switches suddenly change so drastically? Could these changes make the MX better?

Photograph: Henri Robbins

Cherry’s Legacy

The Cherry MX Black is the mechanical switch. It’s a fairly heavy linear switch made entirely of Cherry’s proprietary blend of plastics and has been in production since 1983 with only minimal changes until now. Cherry rates its MX switches for 100 million keypresses, and it’s not unheard of for MX Blacks to be in operation even after two decades of near-constant use. They eventually became a signifier of quality: If you saw a keyboard with MX switches, you could be pretty sure that it would be both reliable and enjoyable to type on.

As the custom keyboard scene started to form in the early 2000s, people realized something interesting—the longer you used MX switches, the smoother they were to type on. This was true for all of them but most noticeably for MX Blacks. They were the most common in high-use office and point-of-sale systems and had a heavier spring that required more force to be pushed down, resulting in the plastics seeing large amounts of wear.

These “vintage” MX Blacks—which had to be desoldered from older keyboards—became incredibly sought out by enthusiasts for their smoothness, and their scarcity increased demand even further. At the time, Vintage MX Blacks were the best switches possible for a custom-built keyboard kit.

It’s worth noting that these worn-in switches are fairly scratchy by today’s standards. Modern switches, made from higher-end materials and lubed from the factory, are leagues ahead of MX switches in smoothness. However, many keyboard hobbyists today see the MX Black as having a “good” scratch compared to the scratchiness of other switches. It’s consistent, subtle, and rather charming as long as you don’t expect perfection. There are no sudden bumps or catches, but instead a consistent friction that feels more “real” and satisfying than something engineered for perfect smoothness.

Photograph: Henri Robbins

I’ve spent the last few weeks with the Keychron Q5 Pro and Q6 Pro mechanical keyboards, and I think they’re some of the best bang-for-your-buck full-size keyboards you can get today. The Q6 Pro is a traditional full-size keyboard layout with a NumPad and navigation keys, while the Q5 Pro is a slightly more compact 1800-style layout.

Both of them are gasket-mounted, with thick aluminum cases and a knob in the top right corner. You can buy either model with Keychron’s red linear switches, brown tactile switches, or banana tactile switches, and they include hot-swap sockets, RGB lighting, and Bluetooth 5.1 connectivity by default. If you don’t mind a cord, you can also connect them via USB-C. (Read my guide, How to Shop for a Mechanical Keyboard, if you want to learn more about some of these terms!)

Why a Full-Size Layout?

Anyone who wants a full-size keyboard layout already knows they want it. In my experience, it’s something you’re already acclimated to, not something you’re going to switch to on a whim. These things are huge and can have a dedicated key for everything, especially if you take advantage of the ability to reprogram keys.

The bare-bones version of the Q6 Pro allows you to add your preferred set of switches and keycaps.

Photograph: Keychron

Yes, the entire keyboard is completely reprogrammable. Keychron’s Q Pro line supports QMK/VIA, an open source third-party software that lets you reprogram every key. QMK is a system for keyboards that allows users to flash new firmware and keymaps, and VIA is a system that makes this reprogramming quick and seamless within a web browser. These keymaps persist across devices and have nearly limitless potential once you’ve learned the software.

Because of the utility of QMK and VIA, I found the number pads useful even though I hardly ever use them to input numbers. They can easily be reprogrammed and used as a dedicated macro pad, or for any other number of uses. (It’s worth noting that with both QMK and VIA, you have to plug in the keyboard to reprogram it.) The placement of the reset button underneath the spacebar on the top of the printed circuit board (PCB) makes reprogramming easy, since you don’t have to take the entire keyboard apart (unlike quite a few other keyboards that place the button in a hard-to-reach spot).

Even if you don’t plan to reprogram any keys, the number pad is great for quickly typing long strings of numbers or if you want to utilize Alt Codes so that you don’t have to constantly Google “Em dash” and copy and paste the symbol on Windows. (Hot tip: The Alt code for an em dash is Alt + 0151.)

The Typing Feel

Both the Q5 Pro and Q6 Pro use a gasket mount, meaning the main keyboard assembly (plate, switches, PCB) is suspended inside the case using two compressed layers of foam instead of being directly attached to the case. This creates a bouncier typing feel and isolates the internal assembly to create a softer, more crisp typing sound.

Keychron’s gasket-mount system is fairly bouncy, meaning the key presses feel soft and relaxed. This meshes with the switches provided, which have fairly light springs, to create an overall typing experience that’s crisp and bouncy without feeling cheap or flimsy.

The two boards I received have the Red and Banana switches from Keychron’s K Pro switch line. The Reds are simple, effective linear switches that sound poppy and feel fairly smooth. The Banana switches are tactile with a medium-strength bump and a good amount of travel after the bump. I’d recommend either one since both are high-quality examples of their respective switch types that will be acceptable to a large number of users.